92% Fruitvale Station

All Critics (84) | Top Critics (31) | Fresh (77) | Rotten (7)

In naturalistic and unforced strokes, he allows Grant to exist as a complex, even contradictory human, inviting the audience simply to sit with his life, his loss and what they both meant.

Fruitvale is easy to see as something more than a movie - a diagnosis, perhaps, or a part of that sticky vortex we call the zeitgeist.

Oscar Grant had friends, he had a sister and a mother and a grandmother, a girlfriend, a child. In concise measures, Fruitvale Station shows us these connections, these bonds.

Grant's ordinary life seems eminently dramatic even without its place in history.

Coogler could've settled for an enraging, full-throttle melodrama, designed to boil your blood from beginning to end. But "Fruitvale Station" is better, more heartbreaking, than that.

Fruitvale Station's wrenching power lies in the specificity of its storytelling and the ordinary human warmth of the world it conjures.

There's plenty of riveting drama, including a gut-wrenching climax that elicits a powerful emotional resonance.

Sober, even-handed and quite moving.

Michael B. Jordan portrays Oscar Grant as a complex and real person, making Fruitvale Station more than just the story of a death. In fact, it's one full of life.

A devastating portrait of the fallibility of man and the importance of appreciating what one has while it's still here.

Where it could have been angry ... the film is instead clinical...

Many directors have trouble accomplishing something like this even when they're throwing character development in your face. To be able to succeed by using a standard "day in the life" approach makes it all the more incredible, and makes it a must-see.

A star-making performance by Michael B. Jordan.

Even though we know where this dark road travels, the remarkable Fruitvale Station still manages to be both sorrowful and suspenseful while also celebrating a life only half-lived.

Writer/director Ryan Coogler's debut feature, Fruitvale Station, is one of those first films that announces that a major talent has hit the scene.

A gut-wrenching, emotional powerhouse of a film, politically and socially resonant while also standing on its own as a compelling and often-heartbreaking story

A viscerally wrenching experience, filled with foreboding from the first frame but stylistically naturalistic.

Strives only for an emotional response rather than an intellectual one.

Coogler's goal is clear - to put a human face on Grant, to make him recognizable.

Though the film's ending is no mystery, the personal details are what make this story so absorbing and so moving - more so precisely because his fate is already known.

It's a heartbreaking story that is so emotionally powerful that, while I may not want to see again, if it's on I won't be able to help but see it's tragic conclusion again.

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Source: http://www.rottentomatoes.com/m/fruitvale_station/

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